: It addresses a "classic crisis" where the literary market prefers "hagiographies" (biographies of saints/idols) over supporting living, breathing experimentalists who still "stain their feet" on the street. O poeta pobre - O Partisano
The performance title (A Good Poet is a Dead Poet) serves as a provocative informative feature that critiques the historical and critical tendency to only "canonize" or value artists after their passing. POETA BOM Г‰ POETA MORTO (Performance).MP4
: The title is an "adage" used to highlight how poets like Paulo Leminski or Ana Cristina César were only fully embraced by critics and the publishing market after they died. : It addresses a "classic crisis" where the