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A notable theme discussed in multiple reviews and analyses is the Japanese art of Kintsugi (repairing broken pottery with gold). This is cited both as a narrative tool for forming a unit of "broken" agents and a meta-commentary on a resilient Bollywood finding its feet again. 3. Fandom & Global Event Status

The film is analyzed as a strategic expansion of the Yash Raj Films Spy Universe, blending Hollywood-style action (utilizing stunt coordinators from Top Gun: Maverick ) with traditional Bollywood "masala" elements like songs and dance. A notable theme discussed in multiple reviews and

Scholars and critics also focus on the technical and commercial strategies employed by director Siddharth Anand. Fandom & Global Event Status The film is

Research in Academia.edu identifies a "significant shift" in the relationship between Bollywood stars and fans, where the film’s success was seen as a collective act of fandom resisting external boycott calls. Scholarly essays in Sage Journals examine the film's

Scholarly essays in Sage Journals examine the film's investigation of national belonging. Scholars like Ira Bhaskar view it as an intervention against propaganda that questions the loyalty of Indian Muslims, while Shohini Ghosh analyzes the "kinetic rush" of the film as a new mode of political communication.