|
|
|
Tech house thrives on a clean, powerful low end. Westend utilizes aggressive sidechain compression. Every time the kick drum hits, the volume of the bassline duck out of the way for a fraction of a millisecond, preventing frequency clashing and creating a physical "pumping" sensation.
The serves as a perfect case study in modern electronic music cross-pollination. It demonstrates how a highly polished, mainstream pop-house record can be deconstructed and rebuilt using raw, underground tech house principles without losing the core soul of the original record. By focusing on a driving, repetitive groove rather than radio-friendly melodies, Westend successfully extended the lifespan of "I Wish" from a chart-aimed single into a late-night festival weapon.
Westend is highly regarded in the music production community for his educational platform, Kick & Bass , where he actively breaks down his production secrets. In analyzing his specific treatment of "I Wish," several hallmark tech house techniques become highly apparent: Dynamic Low-End Management
I Wish (feat. Mabel) [Westend Remix] - Joel Corry - Musixmatch
Commercial Analysis: Joel Corry - I Wish (feat. Mabel) [Westend Remix] 1. Introduction & Context
Rather than using a clean sub-bass, Westend applies harmonic saturation or slight distortion to the mid-range of his basslines. This ensures the bass cut through small phone speakers while still rattling massive club sound systems. Rhythmic Humanization and Swing
