: Sigismondi designed the video as an allegory for any person discovering their inner strength . Critical and Commercial Reception
Produced by Junkie XL (Tom Holkenborg), who also scored the film, the track incorporates orchestral elements directly from the movie's score. : Sigismondi designed the video as an allegory
Directed by Floria Sigismondi, the blockbuster visual places Dua Lipa directly into the dystopian "Iron City" from the film. : The track mirrors Alita’s journey of discovering
: The track mirrors Alita’s journey of discovering her own unrecognized power . Production and Musicality : Described as "electropop" with "muted electronics," the
: Lipa wanders through ruins, performs martial arts choreography, and eventually transforms into Alita after gazing into a mirror.
The song’s title is intentionally contradictory; Dua Lipa has stated that the track is "not a swan song," but rather "only the beginning of our fight for justice ".
: Described as "electropop" with "muted electronics," the song features cinematic horns, orchestral stabs, and heavy drums.
: Sigismondi designed the video as an allegory for any person discovering their inner strength . Critical and Commercial Reception
Produced by Junkie XL (Tom Holkenborg), who also scored the film, the track incorporates orchestral elements directly from the movie's score.
Directed by Floria Sigismondi, the blockbuster visual places Dua Lipa directly into the dystopian "Iron City" from the film.
: The track mirrors Alita’s journey of discovering her own unrecognized power . Production and Musicality
: Lipa wanders through ruins, performs martial arts choreography, and eventually transforms into Alita after gazing into a mirror.
The song’s title is intentionally contradictory; Dua Lipa has stated that the track is "not a swan song," but rather "only the beginning of our fight for justice ".
: Described as "electropop" with "muted electronics," the song features cinematic horns, orchestral stabs, and heavy drums.