A Text-book Of The History Of Painting -

The Greeks and Romans moved toward naturalism. While most Greek paintings on wood have perished, their pottery and the frescoes of Pompeii reveal a mastery of light, shadow, and anatomy. Following the fall of Rome, European painting shifted toward the spiritual. During the Middle Ages, the goal of art was not to mimic the physical world but to illustrate the divine. Byzantine icons used gold backgrounds to represent the light of heaven, while Gothic painters began to experiment with more human emotions and architectural depth in religious altarpieces. The Renaissance and the Birth of Perspective

The Renaissance, beginning in 14th-century Italy, marked a "rebirth" of classical ideals combined with scientific inquiry. This era introduced linear perspective, a mathematical system for creating the illusion of three-dimensional space on a flat surface. Masters like Leonardo da Vinci developed sfumato, a technique of blurring edges to create a smoky, realistic atmosphere. Michelangelo’s Sistine Chapel ceiling showcased the heights of anatomical precision, while Northern Renaissance artists like Jan van Eyck revolutionized the use of oil paints to capture minute details and textures. Baroque, Rococo, and Neoclassicism A text-book of the history of painting

Modernism shattered the requirement for art to represent the physical world. Post-Impressionists like Vincent van Gogh used expressive color to convey psychological states, while Paul Cézanne began breaking subjects down into geometric forms. This evolution led to Cubism, where Pablo Picasso and Georges Braque dismantled objects and reassembled them in abstract views. Throughout the 20th century, movements like Surrealism explored the subconscious, while Abstract Expressionists like Jackson Pollock emphasized the act of painting itself. Today, painting continues to thrive, blending traditional techniques with digital media and global perspectives. The Greeks and Romans moved toward naturalism